Finite Elemente Pagode Racks & Stands
Finite Elemente Pagode Racks & Stands
USER REVIEWS
[Feb 04, 2006]
audiophi
AudioPhile
Strength:
Adds articulation, improved timbre, and enhanced 3D soundstage. Small. Relatively inexpensive.
Weakness:
Only works with some components. This is a review of the Finite Elemente Ceraball because it doesn't have its own category on this web site. I hadn't tried vibration control products before, so I ordered both $125 Cerballs and the $300 Stillpoints with the intention of returning whichever was less effective. The Stillpoints had no real effect on my Musical Fidelity integrated amp, but added a good but curiously dry clarity and articulation to my Wadia CD player. When the Ceraballs arrived, I tried them under the CD player and found the music flat and uninteresting. After my experience with Stillpoints I didn't expect to see any effect on the amp, but what do you know. The Ceraballs gave the soundstage an enhanced 3D effect in the best sense. Female vocalists now have a palpable presence, and on the best recordings I feel like I could reach into the soundstage and put my arms around her. I well-recorded acoustic bass also has a presence such that I feel like I could reach out and rap my knuckles on the wood. The Ceraballs also gave a distinct overall improvement to musicality, with better timbre and a luscious kind of clarity different from the Stillpoints. Bottleneck guitar is better articulated, with distinct notes rather than the previous muddled metallic sound. Vocals sound a bit more sensuous and therefore more human. Ceraballs provide a much bigger effect than I ever expected. Similar Products Used: Stillpoints |
[Mar 22, 2002]
Brutschy
AudioPhile
Strength:
sound good
Weakness:
much too expensive while the first review was wriiten by one of the producers, I must say it is a nice stand but prohibitively expensive. |
[May 25, 1999]
Luis Fernandes
an Audiophile
The pagode° rack system is designed to give the audio system a resonance damped and controlled environment, so that the sonic capabilities of each audio component can evolve to its maximum. |