Electronic Tonalities Foreplay Preamplifiers
Electronic Tonalities Foreplay Preamplifiers
[Apr 17, 2001]
Adam Frost
Audiophile
Strength:
my jaw dropped when i heard it
Weakness:
are you kidding? not for this price if you want a pre amp, buy this one. if you don't have fun putting this together and listening to it i feel sorry for you. |
[Oct 21, 2000]
Ken
Casual Listener
Strength:
Everything
Weakness:
None I am speechless, dumbfounded. |
[Aug 01, 2000]
Chuck
Audiophile
Strength:
Outstanding Sound, Great Company, Fun to Build
Weakness:
Audio Snobs will ignore because of low price ... My System: Similar Products Used: Wellborne labs passive preamp, Haffler Preamp (DH100 and 110) |
[Jan 05, 2000]
Chris Erickson
Audio Enthusiast
Strength:
Price I recently got and built the foreplay pre amp with the anticipation upgrade and stepped attenuators. It works great. I was first concerned that adding another component in the signal path would degrade it but it in fact brought out sounds that I had never heard before. The sound stageing improved and the music (suprise suprise) sounded warmer. |
[May 17, 2001]
Marc Bratton
Audio Enthusiast
Strength:
Honest tube preamp for boombox price!
Weakness:
In stock form, bass could be tighter. Treble slightly rolled off. Limited number of inputs, no tape monitor, and only one set of outputs limit its flexibility. Do you CARE, for $149.00? Get real, here... I've been using an FT Audio LW-1 passive pre, and have been really happy with it. Still I'd heard all about the Foreplay over at AudioAsylum, so when I saw one for sale (already assembled, yet!) for the princely sum of $175.00, I thought..."Why not?" Similar Products Used: Conrad Johnson PV10, MFA Magus A2 |
[Apr 28, 2001]
Jon
Audio Enthusiast
Strength:
Price, Performance, Price, expandable
Weakness:
Hmmm, none really I needed an inexpensive preamp and I found it. I was really suprised at how good it sounded. Take this pre and an audio source amp ($99 + $225) and you get a really nice base for a seperate system for under $350. It took me about 9 hours to put it together. Anyone can build this thing. It's also fun to impress your friends by telling them that you have a tube pre-amp! Similar Products Used: Haven't used any tube preamps before |
[Mar 17, 2001]
Mike Ayotte
Audio Enthusiast
Strength:
Enjoyment gained from building your own gear
Weakness:
Thinking you can build anything now, i.e., computer, muscle car, bionic arm, etc. I concur with all of the previous reviewers and will add a few comments. Even if you have a kilobuck preamp, you need to build yourself one of these things just for the fun of it. At a minimum, you will gain a better appreciation of what makes your preamp tick. Unfortunately, you may also realize that your high-end manufacturer is charging an awful lot for that fancy metal case, because your new $99 (price is now an ungodly $149!) preamp in your $5 wood box sounds so damn good. Similar Products Used: Rogue 66 |
[Dec 18, 2000]
Robert Holo
Audio Enthusiast
Strength:
Tonal Balance & Bang-for-the-Buck
Weakness:
Volume knob sensitivity Not a perfect pre-amp, but hands down the best $100 I've spent on audio equipment -- ever. Similar Products Used: Various Tube Front-ends |
[Feb 01, 2001]
vince nowinski
Audiophile
Strength:
Value to price ratio, great sound, tweaker's delight.
Weakness:
None that you can't remedy with minimal added investment. This preamp is mighty, mighty good. Hundreds, if not more, of these things have been built by folks all over the planet. Not many show up on the used market, hint hint. |
[Jun 16, 2001]
Steve
Audiophile
Strength:
Excellent sound quality for the price.
Weakness:
Are you kidding for this price? I was intrigued by the rave reviews and loyal following of Foreplay users at the Bottlehead Forum so for $149 I gave it a try. For my first venture in DIY hi-fi it went relatively well but all through the construction process I kept wondering if this pile of parts was even going to work when done. From the first notes of "Take Five" I could immediately tell the difference from my old preamp! The cymbals and drum kit actually sounded real now with much more air around each instrument. The alto sax had more punch and was smoother and better defined. All the digital "edge" was gone and the whole presentation was less strained and strident and more musical. "Robust" is the best way I can describe this little wonder. |