tonality. Voices really excel. Beautiful construction and finish (what you really paid for).

Compressed sound. Don't do ensembles very well.

I had these for about one year. Good speakers but too boxy sounding nowadays. There are better offerings from direct online companies such as Ascend Acoustics and Axiom for much less. Heck, if you don't care about aesthetic values, you can get a Newform Research R58 which is on a completely different level.

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Most audiophile brands

Big sound from small speaker. Excellent bass and dynamics. Perfect tonal balance. Plays loud if needed. Fits for all kind of music.

Tweeter could be a little bit sweeter and bass could still be even more accurate. But 1.3SE and the new 1.4S have these things covered up, so better start saving.

I had own ProAc Tablette IIIs for about five years and I was very happy with them (read my review in Tablette 50). However, I moved together with my girlfriend and we both had decent systems and we did not have room for two. So, we decided to sell the all old stuff and buy one better system. Easier said than done... Our budget for new speakers was something like $1400. We listened several models and probably the best ones were Dynaudio Contour 1.1 and Amphion Argon2 (Excellent finnish brand, check it out). However, neither of these two offered enough improvement compared to my old Tabs to justify the price. Luckily Dynaudio discontinued the old contour models and the local dealer was selling them out with nice discount. Now 1.3 mk II was within our budget and we got the last pair for home testing. 1.3s are solidly built and the quality of rosewood veneer is excellent. The design of the front could be more refined, but we have to hide it behind the grilles anyway because of the cats:( First impression about the sound was the sheer power. Usually you need big speakers to deliver big sound, but 1.3 could do this too. Second thing I noticed that there was nothing to complain in the tonal balance. An finally the quite important factor for me; the tweeter sounded non-irritating. I seem to be allergic to harsh tweeters and that is usually the first thing that I do not like in speakers. My old Tabs could do the former two, but they did not definetly deliver power. The next hours went by listening CDs and there was so much new things on them. Especially electronic music and heavy/rock benefitted a lot from an accurate, powerful, and low bass. 1.3 also play very loud without compression and restraint if needed, many other small speakers are not able to do this. For $1200 1.3s were a bargain and stars reflect that.

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Owned ProAc Tablette III

neutral, dynamic, punchy sound. Capable of real transient snap. You hear the music through these!

Needs good current. Amps below 50 watts need not apply. Too transparent and neutral for some(!)

I think Dynaudio speakers look the business. Their drive-units in particular look better than most of the competition’s and the fit and finish of their cabinets are second to none. Then there’s the fact that, on the inside, construction is immaculate, with 75 mm aluminium voice coils (better power handling) on these 1.3 mk2 Contour’s, box-within-a box construction, furniture grade finish, chunky WBT binding posts. All these factors contribute to the expense of these monitors. Heck, for £1,200 you could get a pair of Dynaudio Audience 72 floor standers or a pair of JM Lab floorstanders, or JBL Ti2K’s, but, no, if you want transparency, if you want tight, controlled and punchy bass allied with a totally hear-through midrange and the crispest treble this side of a Yamaha NS 1000, then look no further. So often as is the case, when you buy a speaker, you also, unfortunately have to buy the colouration that comes with it. Some might call it “The B & W House Sound” (read: constrained treble, lack of air and presence) or the “Focal Tweeter Experience” (read: ear-splittingly bright high-hats and sibilance). These Dynaudio’s impart so little of their own sonic character so in the end you end up hearing your equipment and the music. In fact, when it comes to neutrality, no other stand-mounted speaker at this price comes close. However, many might baulk at the fact that these speakers are so transparent, so neutral, that their recordings become ‘emotionless’. Not these babies. They let you hear everything but at the same time they also make you want to get up and dance. Must be the bass. For a stand-mount, this speaker has extremely deep and punchy bass like you wouldn’t believe. No speaker this size, in my experience, comes close when it comes to producing such amazing SPL’s and, in your chest, thumps (try hearing the fanfare at the end of the 1812 overture – the bells, the orchestra, and those goddam cannons!). Still, it does have its limitations and for really deep bass it’s worth getting a (REL) sub-woofer for those very bottom octaves. I’ve tried these speakers with a range of CD players, amplifiers and cables. Each time, I’ve heard a dramatic change in the character of the music. For instance, with an old (70 watts) Harman Kardon amp, the sense of timing and impact of a good drum set was amazing but the midrange seemed a bit suppressed (loss of detail) compared with the rest of the audio spectrum. Then, switching to a pre-power combo (Tag Mclaren) allowed the midrange to open up but the low end, whilst deep, didn’t have the timing I wanted. Changed the amplifier again, this time to an Arcam A85 integrated, and this time, the whole musical experience came to life (amazing dynamics, thoroughly engaging handling of transients). A real synergistic pairing, which allowed the music to really come to life. Weaknesses? Apart from the very lowest octaves, the bass is excellent. As with all Dynaudio’s, these speaker are quite demanding of current and need to be partnered with good quality ancillaries if they are to deliver their best. Without spending an absolute fortune, these speakers, matched with a good source and amplifier will provide you with many years of listening pleasure. At the end of the day, what do you want to hear? The music or your hifi? Equipment Used: Harman Kardon HK 6550 Harman Kardon HK 670 (probably Harman’s most compromised effort ever) Arcam A85 Tag Mclaren PA10 and 100P Source: Harman Kardon CD Player Marantz CD Player (best combination came with this CD17 mk2 KI and the Arcam A85) Sony SACD/DVD Player Interconnects and Cables: Van den Hul Cable Talk Black Rhodium

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JBL Ti2K, Yamaha Ns1000M, B&W 804, JM Lab 905s, Castle Harlech

great for vocal, holographic sound, clarity, stable - wide & depth soundstage

too minor to be mentioned

it'sa gem

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apogee, kef

one of the best bass sounding for small speark. Detail and vocal are amazing.

you may need to play around for long time to get the best sound. Need a good amp

I cannot say it's the best sound ever because there are still many great spearkers out there haha but they may cost you more. However, at this price rabge, it is one of the best.

Excellent balance and bass. Very good imaging and vocal reproduction.

None,only need a good amp.

Pure Music

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None.

Everything sounds so musical, but if I had to pick one thing that stands out, it would be the vocals. Vocals sound live. Very 3 dimensional.

My dealer advised to match carefully with the right stands. Other than that, I'm not sure there are any yet. I will post a follow-up.

Beautifully made and beautiful to listen to. Rich tones. Very natural, transparent. Voices float in front of the instruments. Great detail without being bright. Wonderful deep bass. Nothing is contrived. This the best speaker I have owned by a large margin. Nothing in your face, very easy to listen to. This speaker makes you want to go out and buy more cd's/album's. They are hard to stop listening to.

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B&W 805, the Dyns destroy these metal domed shouters. Maggies, Pro Acs and I upgraded from the Dyn audience 72. At this price, it is a matter of taste. However if getting as close to real is what you

Neutrality, Dynamics, Musicality, Detail, Cabinets.

None, once they are set up properly with compatible interconnects.

A treat to the eye and ear. Very neutral, at times like a live performance. The best overall overall speaker I have owned. These speakers do take a long time to break in. They are also very sensitive to any changes in cable or equipment. But once broken in, cables tightened, electronics warmed up they sing, beautifully.

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Have audtioned or owned B&W Matrix, Nautilus 805, ProAC Reponse Two, Thiel CS2, Celestion SL600, Spendor 1 and 2.

It''s the best!

clearity(high range), placid and proper bass, dynamic range..

The lack dynamics/power of power amplifier cause lack of bass.. and it cause sound to be ill balance.

The first 2 week, it sounds sharp and lacks of bass.
But after the time, it sounds really great!!
Especially high range(high-pitched tone), it satisfied my ear with clearity and delicacy.
My main power amplifier is handmade 6550 PPP mono block(4*6550 tube/ch, 100W/ch, pure A class).
But when I use EL34PP(Stereo, 25W/ch), the sound balance was collapsed slightly(especially bass).
I think it may be caused by lacks of power.
Therefore this speaker needs more power and dynamics then everage speaker of this grade.
And If you use this speaker with the pre-amplfier which makes butiful high-range sound, you can hear the best quailfied sound.
At any rate.. I am fully satisfied.

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KEF 104/2, Proac 1SC/responce 2.5, ATC SCM 10