Harmonic Technology Pro-Silway mk II Speaker Cables
Harmonic Technology Pro-Silway mk II Speaker Cables
[Jun 11, 1999]
Greg D. McLean
an Audiophile
Our friends at Harmonic Technologies have achieved yet another victory in the "common sense" revolution of high-end cable design. If you are a fan of both the "Truth-link" and "Pro-Silway" interconnects, this may just be your ticket. I have never experienced an interconnect this musically intact anywhere near this price! Sound engineering and the personalities of these designers, will put them way out in front of the pack! Do your ears and wallet a favour before copper and silver become limited resources. |
[Jul 19, 1999]
Jose Ramon
an Audio Enthusiast
This is the best interconnect that I tried in my system (Meridian 508.24-Unison Research Simply 845-ProAc Response 2.5). It´s very, very detailed but NEVER harsh or bright. Soundstage is very large, bass is deep and controlled and fluid mids. This cable excels in naturalness giving every kind of music an organic feel.Outstanding interconnect. |
[Jul 18, 1999]
david m
an Audiophile
I use the Prosilway mk2 balanced i/cs between an Ayre V3 and an EAD 9000/3 Dac.They are better in every way than the AudioTruth Diamond x3 balanced cables i had before.Amazing!!and the silways are less than half the price of the diamonds to boot!!Good Stuff! |
[Nov 15, 1999]
Hungikenobi
Audio Enthusiast
Strength:
Natural, detail, transparency, balance, soundstage, control, dynamics, speed, subtlety and a-i-r.
Weakness:
Not a fix-all for bad components---damn. I was spoiled by the rich and ultra-smooth performance of the Truthlink for over 6 months. Naturally, I had high expectation about the Pro Silway in its MKII iteration. Initially, the sound seemed somewhat thin due to its extreme high-detail retrieval. However, with lots of patience and the knowledge that it will be seasoned to perfection over time--I became completely satisfied two months of burn-in. Naturally balanced music from one extreme to the other AND everything in between came across like never before. Imaging is tightly focused but non-fatiguing. I was able to toe-in my speakers almost in a textbook triangular format and enjoy music without having to worry about wearing out my ears. Music is at once light on its feet and yet powerfully involving and impactful according to the dictates of the signal. Soundstaging is deep and wide which allows for easy distinction between front, mid and back layering. Last but not least, it's extremely fast in its pace yet sacrifices nothing in way of substance and subtlety. Similar Products Used: HT Truthlink, JPS Superconductor, XLO Signature, Millersound, AudioQuest. |
[Nov 20, 1999]
Sherif Elkady
Audio Enthusiast
Strength:
Imaging / Depth / Soundstage /
Weakness:
None so far I had always believed that the Audioquest were the best Similar Products Used: H/T : Truth-Link / Audioquest:Quartz/ Opal/Emerald/Lapis/Diamond |
[Nov 20, 1999]
Mark Palmer
Audiophile
Strength:
Everything
Weakness:
None I'm an interconnect and speaker cable skeptic. I winced at spending $50 for Monster interconnects, so you get my drift. Similar Products Used: Tara Labs Prism. |
[Dec 16, 1999]
Kin Chan
Audio Enthusiast
I originally used the HT Truth-Links between my AudioAlchemy DAC and DLC Preamp and liked them very much. I then tried the HT Pro-Silway Mk IIs and liked them even better. There's a lot more air and bloom around the voices and cymbals and strings are crystal-clear. Bass stays the same. I've since shifted my Truth-Links between my McCormack DNA 0.5 Deluxe power amp and the DLC and placed the Pro-Silways in their place. This is an excellent silver interconnect for slightly more than the all-copper Truth-Links from the same company. Excellent value indeed. (Incidentally, I'm using JPS Labs Superconductors + speaker cables elsewhere in my system.) |
[Jul 22, 2001]
Sam Mark
Audio Enthusiast
Strength:
Quite nice-sounding.
Weakness:
A bit of roughness! First out of the box, it appeared very smooth, though the upper band was a bit thin, scrimped, and constricted. 40 hours later, the top opened up somewhat, but relatively, the wire appears to be a bit less open than the BEL. The Serenade, of course, as a bit of a biting top. Now, some 60 hours later, the HT II is smoother, and the top opened more, though still a bit short on A-B testing among the wires being used for critical comparison. Overall, seems to be a fine wire; however, compared to the BEL, the HT II seems a bit less smooth, like "Swiss" cheese, with some holes (roughness). Additionally, the bass from the HT II seems a bit less tight or focussed. Something seems missing when compared to the BEL. Perhaps Mr. Tom Miller was correct in the Absolute Sound's 1999 Golden Ear column by stating that he keeps coming back to the BEL because of the amazing amount of sound the BEL wires pass. I would rank them: BEL P-1, HT II, Serenade, and Cardas Quadlink last. May be the HT II could perform better in other matchups. Incidentally, my system contains a Rowland 112, Adcom GFP 750, etc. The Pre-Power amps are consider very fine products. Everything else being constant (perhaps), since my critical listening was done using same equipment, only these wires were switched in and out (A-B listening) at times. Similar Products Used: BEL P-1, StraightWire Serenade, Cardas Quadlink 5C |
[May 22, 2000]
Iczerman
Audio Enthusiast
Strength:
Imaging,cohereance,smoothness, bass control
Weakness:
none for the price Best cable under $500. Similar Products Used: Home made interconnects, tara, siltech. |
[Oct 19, 1999]
Chris
Audio Enthusiast
Strength:
Extermely low noise floor Compared to my MIT 330CVT S2, these 1m RCAs between my McIntosh C712 and McIntosh MC162 was better at detail retrieval. You don't have to strain your ears to hear them. There was a high frequency hiss when I was using the MITs and this disappeared when I used the Silway. Soundstaging and separation was much better with these interconnects. |